UCCF logo Visit the UCCF website
UCCF logo
Open menu
  • About
    • About
    • Team
    • Other Networks
  • Resources
    • Think
    • Speak
    • Live
    • Hubs
  • Get Involved
    • Events and Projects
    • Relay
    • Contact Us
  • Arts Network
  • Live
  • Liturgy as a Way of Life: A Book Review

Liturgy as a Way of Life: A Book Review

Intermediate
Medium
Review

What is your greatest artistic achievement? A painting? A design? A performance piece? Bruce Ellis Benson proposes instead that our greatest work of art should be our lives. Ephesians 2:10 says “We are God’s handiwork [poiēma], created in Christ Jesus to do good works.” He translates the Greek poiēma as ‘work of art’. Our whole lives are acts of being what God has made us and becoming what he has made us to be. 

How do we grow and mature as living works of art? Benson’s proposal is that it takes place through liturgy - hence the title of his book Liturgy as a Way of Life.[1] Such a claim may surprise, even repel us. But liturgy, according to Benson, is not just what we do on Sundays. Liturgy is our everyday habit-forming practices.[2] The original word refers to a way of living our lives in offering to God. It is about cultivating lives of worship. Romans 12 tells us to offer our bodies as living sacrifices, holy and pleasing to God. But what does this mean for artists? And what difference does this make in how art can exist for the church? 

Reconsider the Artist 

Benson spends a considerable portion of the book deconstructing[3] the prevailing conception of the artist. What we often think of as ‘an artist’ is a narrative largely appropriated from modern, in particular romantic, conceptions of art, and we’ve come to blindly accept this as true. Two particular aspects he focuses on are the artist as genius, and the artist as creator. 

The artist as genius 

We probably wouldn’t use the phrase ‘genius’ when referring to an artist, yet this is often how we conceive them. Immanuel Kant’s description of the genius is someone original, who does what no one has done before; exceptional, possessing a gift unreachable for any normal person; and innovative, unshackled in their creativity by the constraints of history and tradition.[4] Benson describes this account of the artist as a shift from ‘craftsperson’ to ‘godlike’.[5] Our art functions as an idol, through which we become the object of worship. Instead, Benson suggests that our art should function as an icon: work through which God is glorified. He isn’t (necessarily) calling for ‘Christian art’, in the sense of explicitly representing the Gospel in our work, but rather work which ultimately orientates love and worship towards God. This idea of rightly ordered love is an ancient idea, and takes a central place in the thought of Saint Augustine. Listen to this hymn Augustine quotes in City of God: 

These are thy gifts; they are good, for thou in thy goodness has made them. Nothing in them is from us, save for sin when, neglectful of order, We fix our love on the creature, instead of thee, the Creator. [6]

As artists we must flee from making either our art or ourselves the object of worship. We must be wise in how we make art which isn’t an end in itself, but whose end is ultimately love of the one true God. 

The artist as creator

The second element Benson deconstructs is the artist as creator. The problem with calling an artist a ‘creator’ is that it presumes creatio ex nihilo - creation out of nothing. In particular, this posits a creation myth where we are the ultimate source of our ideas. It denies the influence of culture, history, and tradition, and even more fundamentally refuses to acknowledge that we work out of what God has given us, according to his grace.[7] Instead, Benson suggests that we think of ourselves as improvisers. In the same way as a jazz musician appropriates decades of jazz vocabulary in fresh ways, we creatively work from the materials available to us, the influences which surround us, and the history that precedes us.[8] 

Whilst it may sound pernickety to critique a word like creator, it has an important relationship to the question of worship. The title of creator is a denial of our necessary dependence on others, and ultimately our dependence on our Creator. If we claim to be the creator, who ends up being worshipped? Of course we can make exciting and original art, but to deny our dependence on others and on God becomes an idolatrous claim. To be ‘original’ is not synonymous with an atomistic independence. Great art is always dependent on a reality outside itself. 

Unanswered Questions 

Although Benson’s book does a lot of things well, I think it suffers from trying to achieve two quite different aims. The application of the arts for living liturgically is the primary focus, and it achieves it very well. But the content for practising artists feels like it could form a separate book, and leaves several questions unanswered (as I’m sure you feel from this review). In particular, I would love to explore further the idea of art as icon, especially when the content is not explicitly ‘Christian’. Similarly, I think more could have been said of contemporary and conceptual art, which is largely absent from his account - although his ideas are no less applicable to it. This shortcoming is probably due to the shortness of the book, but you may find yourself sometimes frustrated by difficult questions are brushed past without due consideration. 

Nonetheless, this is a valuable contribution to a growing pool of resources on the interface between art and faith. If we are serious about living for Christ in the world of the arts, books like this are crucial for helping us grapple with questions around the purpose of our work, teaching us to live distinctively in our secular sphere. Benson’s encouragement is a welcome one: that we would be living artworks, dedicated to the one who made us. 

___________________________

Bruce Ellis Benson, Liturgy as a Way of Life: Embodying the Arts in Christian Worship, The Church and Postmodern Culture (Grand Rapids: Baker Academic, 2013). 

For more on this topic, see James K. A. Smith, Desiring The Kingdom: Worship, Worldview and Cultural Formation, vol. 1, Cultural Liturgies (Grand Rapids: Baker Academic, 2009); or his popular work James K. A. Smith, You Are What You Love: The Spiritual Power of Habit (Grand Rapids: Brazos Press, 2016). 

Referring to Derrida’s ‘deconstruction’ - a postmodern technique which calls foundational beliefs into question. 

Benson, Liturgy as a Way of Life, 54. 

Benson, 57. 

Augustine, Concerning the City of God against the Pagans, trans. Henry Bettenson, Kindle (Penguin Books Ltd., 2003). 

Benson, Liturgy as a Way of Life, 71–76. 

About the authors

Charlie Watkins

Charlie is a music graduate, currently working for Grace Church Hackney. He writes on a variety of subjects, including the arts, theology, and public life. As a clarinettist, much of his work …

View all resources by Charlie Watkins

Tags

Book Review

You might also like…

The Faithful Artist: A Book Review

<p>Book Review of 'The Faithful Artist: A Vision for Evangelicalism and the Art' by Cameron J. Anderson. As an evangelical Christian working in the art world, I’ve sometimes felt like I’m in a strange lonely category of my own. Thankfully, the older I get, the more Christian artists I meet and the more I realise that I am not alone in my concerns about how I should use my work to serve God and how my faith can shape my work.</p>

See more

Works of Love: Let's be Real

<p>Over ten years ago James Elkins wrote the book the ‘Strange Place of Religion in Contemporary Art’. He argued that artists who were genuine believing Christians could not make work about their faith within the contemporary art world because the art world would not accept it.</p>

See more

Christian Artists: Fruitful or Futile?

<p>If the world believes that Art and Design is a waste of time (whilst simultaneously consuming it in all aspects of life!) then we as artists can often feel burdened by this attitude.&nbsp;All artists should feel passionate about their art, but sometimes it is difficult to put to words why we feel that it is right for us to create. So, when we are faced with opposition or we have doubts about the value of our work, where in the Bible can we turn?</p>

See more
UCCFThe
Christian
Unions
UCCFBethinking
UCCFUncover
UCCFLeadership
Network
UCCF
  • Youtube
  • Facebook
  • Twitter
  • Linkedin
  • Instagram

UCCF logo We are passionate about students reaching students with the good news of Jesus.

IFES logo UCCF is a founder member of the International Fellowship of Evangelical Students (IFES).

UCCF: The Christian Unions
Blue Boar House
5 Blue Boar Street
Oxford
OX1 4EE

01865 253 678
info@uccf.org.uk

Registered with the Fundraising Regulator
© 2025 UCCF: The Christian Unions.
Universities and Colleges Christian Fellowship (UCCF) is a Registered Charity number 306137 (England & Wales) and SC038499 (Scotland), and a company limited by guarantee registered in England and Wales No. 387932. For more information see our Site Policy and Privacy Policy.

Can we set cookies? We use necessary cookies to make our site work. We’d also like to set analytics cookies that help us make improvements by measuring how you use the site. More about cookies.

By clicking the Accept button below you are giving your consent for us to set cookies.